not all negative, my obscure quiz attempt

 

Q1

How many wives did King Henry the 8th have.

A3 

B5

C6

AnswerC6 marriages  although 3 were annulled by the Church of England so 3 but only if you’re a practicing anglican

Q 2

How many wives did King Henry the 7th have?

Answer

One  bonus 1000 Elizabeth of York.

Q3

Elvis typically performed how may encores?

A 0. B1. C 3

Answer A-0 Elvis never did encores

Q4

How old is the table fork? Pick a century between one and ten

Answer..the personal table fork was most likely invented in the Eastern Roman (Byzantine) Empire, where they were in common use by the 4th century.

Q5,

How many eyelids do camels have?

Answer, 3

Q6

How many Bananas would you have to eat to equal the radiation in a typical chest Xray

A, 70

B 7000

C 70,000 

Answer C 70-000 bananas.

Q7

Last week we learned that on average we wee for 21 seconds.

This weeks question is, What is the world record for the longest pee.

 The World Record for the longest pee is 508 seconds.

That's almost 8.5 minutes. However I could not get confirmation of this fact plus there’s a lot of other dubious claims down this particular rabbit hole so the answer is inconclusive and question seven is cancelled.

Q8

How many ATM’s are there in Antarctica?

Answer 2, run by Wells Fargo .

Q9

Which is wider, Australia or the moon?

Australia is wider than the moon. But only just.

Australia's diameter is 600km wider than the moon's. The moon sits at 3400km in diameter, while Australia's diameter from east to west is almost 4000km.

Q10

And finally an easy one

What is the longest word in English with all the letters in alphabetical order.

Answer ‘Almost'

Q11 what’s more dangerous vending machines or sharks?

Answer vending machines.

From Google: The yearly risk in the U.S. of dying from a shark bite is roughly 1 in 250 million. In contrast, the yearly risk of dying from a vending machine accident is roughly 1 in 112 million. Vending machines are roughly twice as deadly as sharks.

Q12

True or false, it’s illegal to sleep naked in Minnesota 

True

Q13

 why do divers fall backwards out of the boat?

Answer ;Because if they fell forwards, they would still be in the boat.

Q14

What’s older Sharks or trees?

Answer, sharks.

Q15

the last gold medal for the tug of war in the Olympics was won by..

A; The City of London police

B; The Belgians

C; The French Navy.

Answer, A; The City of London police

Q16

What is a Flaneur?

Answer. someone who walks around not doing anything in particular but watching people and society.

Q17 

If you clap your hands once, wait one second, and clap again, thanks to the earth's motion in space, you traveled approximately how many miles between the two claps.

A 30k miles

B 40K miles

C 90K miles

Answer 30k miles

Q 18

Can anyone here tell me anything about  the Hanging of the Hartlepool monkey. Hartlepool is on the Welsh coast and this was said to have happened in the early 19 century.

Legend has it that during the Napoleonic Wars of the early 19th century, a shipwrecked monkey was hanged by the people of Hartlepool, believing him to be a French spy! To this day, people from Hartlepool are affectionately known as ‘monkey hangers’.

A French ship was spotted floundering and sinking off the Hartlepool coast. Suspicious of enemy ships and nervous of possible invasion, the good folk of Hartlepool rushed down to the beach, where amongst the wreckage of the ship they found the only survivor, the ship’s monkey which was apparently dressed in a miniature military-style uniform.

Hartlepool is a long way from France and most of the populace had never met, or even seen, a Frenchman. Some satirical cartoons of the time pictured the French as monkey-like creatures with tails and claws, so perhaps the locals could be forgiven for deciding that the monkey, in its uniform, must be a Frenchman, and a French spy at that. There was a trial to ascertain whether the monkey was guilty of spying or not; however, not unsurprisingly, the monkey was unable to answer any of the court’s questions and was found guilty. The townsfolk then dragged him into the town square and hanged him.

There could perhaps be a darker side to the tale – maybe they didn’t actually hang a ‘monkey’ but a small boy or ‘powder-monkey’. Small boys were employed on warships of this time to prime the canons with gunpowder and were known as ‘powder-monkeys’.

Q19

What is the most abundant species of animal on earth?

Nematodes outnumber every other species on earth by a 5:1 margin there are   57 billion nematodes for every single human being.

Q20

What is a tittle? And how is it part of the alphabet?

Answer The little dot on lower case i’s and j’s is called a tittle.

21

Which is longer, the wingspan of a Boeing 747, or the first flight of the Wright brothers?

Answer. The Boeing 747 wing-span (195 feet) is longer than the Wright Brothers first flight of 120ft.

Q22

What unusual shape is Wombat poo

Answer Cubed.

Q23 

Question: Which Disney Princess sings “Once Upon a Dream”?

Answer: Aurora (Sleeping Beauty).

Q24

Question: Which Disney Princess attended Elsa’s coronation day in Arendelle?

Answer: Rapunzel.

Q25

Question: Who serves a Pinocchio’s conscience?

Answer: Jiminy Cricket.

Q26 

Question: Who said: “Fish are friends not food”?

Answer: Bruce.

Q27

Question: Quasimodo was the bell-ringer of which famous cathedral?

Answer: Notre Dame.

Q28

Question: Dory from finding nemo suffers from what?

Answer: Short-term memory loss.

Q29

Which Disney princess appeared on our screens first? Cinderella, Snow White, or Aurora?

Snow White

Q30

Which character in Moana said: "If you wear a dress and have an animal sidekick, you're a princess.”?

Answer

Maui

 

Further notes, one man show

My Post below is the preamble, a voice over monologue as I’m filmed putting on my makeup and stilts.

There is potential to emphasise by cutting from voice over to speaking to camera for dramatic punctuation.
Parts can be sped up and slowed down however the prime editing criterion is that the length of the preparation footage matches/equals the length of the monologue.

Then intro music, 'Waltz in Black' By the stranglers.

[PRODUCTION NOTE-I’ve started inquiries to have NZ musicians produce a cover of this music to sidestep potential copywrite issues]

[Martin/Lurk enters bare stage, 11 ft white face clown and moves towards abnormally tall mic stand mid centre stage front]

[Grabs mic off stand and begins pacing]

Who the fuck do I think I am?

That’s what some of you are thinking.

You people put yourselves abstractly in other peoples shoes to ask questions. I like that.

Others of you who don’t do that sort of thing automatically are simply asking.

What the fuck is this? And that’s fair enough too.

I can answer both questions at once.

I’m the last clown standing.

Which is a bit of a stretch, I’m guessing Leo Bassi’s still holed up somewhere being an isolated madcap asshole, and Jonathan Freddes who’s the last ancient Ringling Clown is still dodging plague and gaining successive blackbelts at 70 something in Mississippi and there are others alive and I could continue to namedrop like it was an olympic sport

And also I’m not nearly so well known, except to clowns. I’m pretty secure in the fact that most international clowns know me. Heard of me. I wouldn’t go so far as to say I’m well liked generally. I’m like Clown wasabi.
I kept to the streets mainly but I did my share of international festivals and mad private events and a smattering of circuses and international corporate bollocks but I’m the last standing
Here……..[moves] and here, etc etc.

And I’m not sure but I have a suspicion collectively our days are numbered simply because as a species we have less and less to laugh about.

The chuckles are finite. Who knew? Notice how comedies getting darker generally? There’s less and less yucks that can be mined from the human condition.
Our ability to laugh at ourselves is receding into a collapsing bubble of diminishing returns.
And probably making a sound similar to a fart cushion while doing so. Don’t worry, that’s the only fart joke you’ll get from me.
The sound of humanity disappearing up it’s own ass. [Makes fart noise] Moving right along.

Clowns were the mostly insipid fluffy little canaries in the coalmine, Circus based, street theatre festivals, before their ultimate accolade became a residency in Vegas . I suspect Vegas is in the process of drying up and blowing away. Always was a bit of allegorical shitstain in my opinion. I’ve worked there. I’ll get back to Vegas later in the show. But Vegas is a city, in a country, in a western world, in a global interconnected system that’s convulsing in case you hadn’t noticed.

The only Clowns built to survive this convulsion were more like Crows or Ravens to begin with, dark brooding slightly unsafe instruments of humour.
Performers who gained your trust by being untrustworthy towards everything but their audience.
You ever been in a restaurant and some violinist or rose seller is going from table to table.
You know that dread you feel, like your whole nights been ruined as you feel them heading your way?
The clowns I liked used people like aztec sacrifices. It takes great skill to choose who to pick on.
I have picked on tens of thousands of people. I’m not proud, but I’m not embarrassed or ashamed either.
It’s a serious business and I know what needs to be done. I engineered laughs.

Check this out……

[STAGE NOTE, I need to workshop whether for pacing purposes I go straight to this gag or build it using the rule of threes via my one ball juggling anticlimax gag followed by my magic pen gag leading into this bit]

[Pulls out LED Yo Yo, shows it to the crowd, milks reaction, teases anticipated big trick, engages Yoyo but even though he’s on stilts the string is impossibly long and the Yoyo shatters on the stage. Lurk freezes in shock, the tricks ruined. He turns himself so his back faces the audience and frantically begins pulling up the string of the broken Yoyo in small increments. He glances over his shoulder intermittently. When he has fully collected the string there is a little further surreptitious furtive movement before he turns to face the audience with the fingers of both hands supporting a woven doily triumphantly.]

Update from about a month ago.

Onward...

I’m what is known, in what passes for academic clown parlance, as a ‘droll’
'amusing in an odd way; whimsically humorous; waggish, jocular or witty, full of roguish good humor.’

I’m additionally a white faced pantomime on stilts. I don’t speak and thus have worked many cultures who’s spoken and written languages were unknown to me.
I had no problem communicating.

That worked for almost thirty years until around 2010.
Since then the idea of distracting the already distracted has lost it's romantic appeal. Ecosystems are crashing, parts of the world that didn't used to be are now uninhabitable and migration's already started. Water tables are more or less empty in Africa and southern Europe and the Americas. Globally fish are over 50% depleted and non renewable as of 2016, the worlds convulsing and collapsing systematically in real time as I write and playing my worlds tiniest violin on the deck of humanities Titanic, or even worse, on a cruise ship or whatever real estate development and multi-corp sponsor facade masking as community event I could whore myself out to for yucks ...well I used to think the majority of dumb fucks and their kids about to inherit a barren wasteland before their middle age was darkly amusing. Now I'm more inclined to see clowns as the cruel mother tereasas with serpentine eyes pacing the terminal ward of humanity living off whatever hope the hopeless still radiate.

I’ve had a change of heart. It took a near terminal cancer and two years of recuperation and a global pandemic to reorientate the kind of dark optimism that was my professional trademark.
I’ve decided Clowns can still be useful.

Salman Rushdie in midnights children wrote something that resonated with me as a clown.
I’m paraphrasing but he wrote about Indian street magicians and he said.
“Their hold on reality was so fundamental and strong that they could bend and shape it to their will.”

All performance incapsulates this ambition and street theatre is its most fundamental form.

A public space is bent and shaped and moments are spun from straw into metaphysical gold in that ideally a group of strangers are given focus and access to a joy that is larger than the sum of it’s parts and also practically there’s a transaction borne of collective gratitude that empowers the performer. The performer also benefits in a rare and singular way in that their life actually makes sense for a select period of time. The best of the best [not to be confused with the most commercially successful ] [and this is all just my thoughts and opinion] achieve a kind of profound peace whilst dancing round inside their absurd creations.

This is the ideal or the bedrock of the situation as I’ve always seen it. I’ve studied and inhabited and experimented within this conceptual membrane for as long as I could and also studied others in the convergence of Clown and Street theatre artists/engineers.

It’s not enough to simply be a boilerplate narcissist, it’s helpful to know that metaphor and psychology exist in applicable realworld units. As a mime I lacked the luxury of the word being made flesh and dealt primarily with metaphor, psychology, the interpretation of the moment and timing.

It worked for me. Suicidal people in my audiences would puncture their isolated hells to let me know I’d made them laugh. I guess that makes me a generous psychopath given I victimised people for a living.

I look for the bedrock in other performers, I think the essential nature of people who manipulate others for a living is important. I identified mainly and not surprisingly with robust nihilistic contrarians who created incandescent joy because someone had to and life held no meaning otherwise.

I’m fifty fucking seven now. I’ve spent the two years isolated in a room with the luxury of the state paying my rent getting used to the fact I’ve had my stomach removed and just thinking generally.

The difference between being insane and being a clown really comes down to whether you can orchestrate laughter.

As such I’ve been unemployed the last couple of years and while I once wrote of Performer and Clown Anthony Livingspace.

"Figuratively, if you were to imagine the outskirts of society and from there walk a day and a half, then have on hand a very powerful set of binoculars, you may, in the distance make out what looks to be a putrid swamp.
Tony lives just on the other side of that but returns to do shows for the folk.”
I feel myself I have ventured so far away from what constitutes 2020 collective reality that it and I no longer have enough in common to form a collective bond.
I choose to find that liberating because, and I’ve been there before, the alternative is simply to keep to myself and with patience wait to die.
During this period of isolation the world convulsed and itself shrank and isolated.
I got a head start by chance.
Another wise clown once told me that our main responsibility as Clowns is to keep ourselves entertained.
So I’ve decided to once again entertain myself and others and create something larger than myself, an ambitious vehicle, to do it as we all navigate the new global cultural turbulences in search of new sources of bread, [not my business] and circuses, [the wider definition of which being my paddling pool of choice, my business]

Exquisite physical comedy. Symphonie Du Hanneton. James Thiérrée

Dott Cotton

One Clown in forging ahead creatively in circumstances of poverty and uncertainty and it warms my heart.

www.patreon.com/Dottcotton1

Narrative Life

 

 

Life is a string of moments and as social apes we are predestined pattern recognition units.

The most powerful patterns are narratives, scientific, sociopolitical and personal.

We spend every waking moment of our life asserting and or recompiling our own narratives.

And our societies exist on the scaffolding of collectively held interwoven multi textural narratives.

Sometimes, online I come across ‘news’ ‘information’ reports of pre ported reality and my initial response is to be triggered almost instinctively into feeling strongly, sometimes the elements of a narrative are arranged in such a way that the emotion on the surface that’s triggered is so immediate that further thought seems excess to requirements. I feel angry or outraged or strongly in some way that I am right, that my feeling is undeniably true and because I feel this way and thinking any further would dilute this feeling I’ve learnt that this is an instance, and we all have them, when the power of the narrative uses me and the emotions associated are byproducts of that construct.

Facebook is a wonderful illustration wherein propaganda of all sorts bounces around giving people self important goosebumps. Nothing actually happens other than narratives pay their toll of injecting self righteous flushes of piousness as they multiply throughout the network. Trump, Syria, Oil spills,..placating little squirts of artificial narrative feed into our own, lubricated by cats and sentiment and people falling off skateboards while we stare at screens convinced we are authors of our destinies. when it just as well could be argued that the ultimate sentimentality is to believe we are much more than amplifiers of mostly synthetic and deliberately fostered narratives that serve not ourselves but those who restrict our human experience as the cost of their desires.