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The font is much better and fits the pictoral subject matter. The sepia toning is an improvement because it works with the font. The positioning of the text creates a symmetry that lets the reader follow the title through to the author clearly. The off-set red line is a nice touch; it creates the presence of a window or frame that conjures up a sensation of movement or distance. Hard to explain, but it works. Unlike the first two, there is no border- this is good because for a lot of designs, the presence of a border makes it look more like a flyer than a book cover. The fourth option is also good but the "saloon" font seems somewhat misplaced here.
1 comment:
here's some critique
The font is much better and fits the pictoral subject matter.
The sepia toning is an improvement because it works with the font.
The positioning of the text creates a symmetry that lets the reader follow the title through to the author clearly.
The off-set red line is a nice touch; it creates the presence of a window or frame that conjures up a sensation of movement or distance. Hard to explain, but it works.
Unlike the first two, there is no border- this is good because for a lot of designs, the presence of a border makes it look more like a flyer than a book cover.
The fourth option is also good but the "saloon" font seems somewhat misplaced here.
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